Malcolm D. Lee Interview on ‘Strung,’ ABFF, ‘Girls Trip’
To keep with the theme of “Homecoming” for the 30th anniversary edition of the American Black Film Festival, organizers Jeff and Nicole Friday...
The California Advantage Cannes Panel: Watch
What unique advantages does shooting in California offer a production? During a panel conversation at the second California Day at The American Pavilion...
Cannes 2026 Critics’ Survey Results: Best Films and Performances
Another Cannes Film Festival is in the books, and with it comes another slate of films from some of the world’s great auteurs...
Inside the Tearful ‘Hacks’ Series Finale Emmys Event
The following article is an excerpt from the new edition of “IndieWire’s The Lead Up,” a weekly newsletter in which our Awards Editor Marcus Jones takes...
Indie Film Needs Operating Systems: A Producer’s Path
Alright, you’ve made it this far. Over the last five columns we’ve covered all of the problems with indie film. Architecture, capital, distribution,...
American Pavillion Made in California Video: Watch
On May 13, IndieWire and American Pavilion teamed up for the second California Day event at the Cannes Film Festival, a day dedicated...
‘Euphoria’ Season 3 Prologues in Episodes 6 and 7: Behind the Scenes
Since the first season of Sam Levinson‘s HBO series “Euphoria,” one of the show’s most pleasurable recurring motifs has been its use of...
Millie Bobby Brown’s Detective Gets New Case
The gang’s (mostly) all back together for “Enola Holmes 3,” Netflix‘s sprightly Millie Bobby Brown-starring film franchise that sees the “Stranger Things” breakout...
Nate Bargatze’s Funny Feature-Length Ad
Near the end of “The Breadwinner,” there’s a close-up shot of a Sony-branded microphone that snaps the entire film into focus. Sony Pictures...
How ‘Marshals’ Creator Spencer Hudnut Made ‘Yellowstone’ Entry His Own
One of the pleasures of Taylor Sheridan’s cable and streaming series — shows like “Yellowstone,” “1883,” and “Landman,” which have attracted large and...
