‘One Battle After Another’ to Play in 35mm at New Beverly
Format nerds got the cinematic gift of a lifetime last fall when Warner Bros. released Paul Thomas Anderson’s “One Battle After Another” in...
‘Spider-Noir’ Black and White Version — Cinematography Interview
You can choose whether to watch Nicholas Cage do a truly bang-up Humphrey Bogart impression in the color version of “Spider-Noir” or the...
Yahya Abdul-Mateen II on ‘Wonder Man’ Character, Marketing, Season 2
At first shrouded in secrecy, the plot of the Disney+ series “Wonder Man” soon becomes simple enough to understand. Protagonist Simon Williams wants...
Short Film Advice: Festivals, Sales, Distribution
In this Cannes edition of IndieWire’s “What No One Tells You” series, we gathered a panel of international experts to discuss short films...
‘The Mandalorian and Grogu’ Box Office Driven by Families, Not Fanboys
For the first “Star Wars” film in theaters in seven years, you would hope that “The Mandalorian and Grogu” would make a little...
Paul Rudd Talks ‘Power Ballad’ and Realizing He Killed Michael Myers
It’s not every day you get to inform someone that they killed Michael Myers. It’s not any day, really, for numerous reasons. But...
Peacock Series VFX Panel with Seth MacFarlane
Creator Seth MacFarlane, visual effects supervisors Blair Clark and Hoyt Yeatman, editor Tom Costantino, and production designer Stephen Lineweaver explain why their Peacock...
Christopher Nolan Retrospective Set for Toronto This Summer
For most movie-goers, Christopher Nolan Summer is going to kick off on July 17, when the filmmaker brings his vision of the classic...
Kane Parsons on Choosing ‘Backrooms’ and A24 Over College
It’s hard to think of many people currently living a more interesting life than Kane Parsons. With the release of “Backrooms” this weekend,...
