Minotaur Review: Andrey Zvyagintsev’s Riveting Comeback
Andrey Zvyagintsev nearly died and then came back to life in 2021 amid COVID complications, but unlike another Cannes filmmaker who resurrected from...
Havana Rose Liu in a Starmaking Performance
Editor’s note: This review was originally published during the 2025 Telluride Film Festival. Black Bear will release the film in theaters beginning Friday, May 22.By the...
Pope Leo Takes the Vatican Where Francis Could Not
In the months after Robert Prevost became Pope Leo XIV, in May 2025, he kept a relatively low profile. He fulfilled prescheduled trips...
‘Yesterday the Eye Didn’t Sleep’ Cannes Director on Lebanon-Set Drama
Toward the start of Rakan Mayasi’s stirring debut feature, “Yesterday the Eye Didn’t Sleep” — the only feature in this year’s Cannes official...
‘The Mandalorian and Grogu’ Review: Just a Supersized Episode
Face it: the heart of “The Mandalorian” has always been a little fan fiction-y. What if a badass Mandalorian bounty hunter became the...
Nicolas Winding Refn’s Ghastly Thriller
“Her Private Hell“? More like our public misery.If, for David Lynch, ideas are like fish in a river, then for Danish provocateur...
Ben’Imana Review: Marie-Clémentine Dusabejambo’s Remarkable Debut
There’s a crucial scene roughly halfway through Peter Weir’s “Fearless” (1993) in which the survivors of a horrific plane crash gather together in...
Life lessons: Arlo Parks on what life so far has taught her
My morning ritual is …
A double espresso – straight to the veins – then a...
Miles Teller Cannes Interview: ‘Paper Tiger’ and More
An actor who started at 22, Miles Teller earned rave reviews out of the gate for his debut performance in “Rabbit Hole,” when...
