A Wholly Transporting Story of Youth
Cinematographer Marine Atlan‘s feature film directorial debut “La Gradiva” takes a simple premise — teenagers on a class trip — and uses it...
Los Javis’ Era-Spanning Ode to Gay Storytellers
While it is technically accurate to say that “The Black Ball (La Bola Negra)” is the first feature film from Spain’s beloved creative...
How Is Stephen Colbert Ending The Late Show? It Will Be ‘Very Unusual’
We'll Meet Again, Don't Know Where, Don't Know WhenAt a presentation on late-night finales Wednesday evening, TV journalist and historian Bill Carter joined...
André Øvredal’s Brutal Thrill Ride Mostly Nails It
Anything can happen on the open road at night. One minute, you’re staring through a bug-speckled windshield following the hazy glow of your...
Maika Monroe Stars in Gothic Horror Movie
Maika Monroe has been a scream queen for about a decade, from her early starring role in “It Follows” to her turn as...
Sébastien Laudenbach Spins Bizet’s Tragic Opera
Feature-length animation has largely become a merciless and exacting thing, every frame invested with such a fortune’s worth of pre-determined purpose that there...
The Crumbling Pillars of Global Peace
The long peace of the past eight decades has rested on two revolutionary convictions: that wars of aggression are intolerable and that empires...
Film Festival Directors Discuss Their Future at Cannes
One advantage of attending the biggest film festival in the world? You might run into the leaders of just about any other festival...
Rami Malek in Ira Sachs’ AIDS Drama
Ira Sachs directs Rami Malek in the melancholy, sexy, and piercingly sad “The Man I Love,” which is elusive to think about and...
‘Undertone’ Cannes Future of Filmmaking Panel
In an industry dominated by doom and gloom about the state of independent film, “Undertone” is either a ray of hope or an...
