Hamaguchi’s Long and Thoughtful Plea for Hope
A talky, female-driven, 196-minute drama about the infinitely braided relationship between care and capitalism that’s prone to Wiseman-like meeting scenes and frequent detours...
Jordan Firstman’s Debut Seriously Impresses
Ask any gay man with a social media account, and they likely have an opinion about Jordan Firstman. The backlash-courting queer actor/comedian, controversial...
Jim Queen Director Interview: Crew Talks Cannes Premiere
Like many animated movies, “Jim Queen” begins with a musical number introducing the audience to the film‘s world. But the setting isn’t, say,...
‘The Unknown’ with Léa Seydoux Already Sparking Cannes Debate
Arthur Harari knows his case is strange. At 45, the filmmaker behind “The Unknown” hits Cannes competition with an Oscar, two Césars, and an...
‘The Unknown’ with Léa Seydoux Already Sparking Cannes Debate
Arthur Harari knows his case is strange. At 45, the filmmaker behind “The Unknown” hits Cannes competition with an Oscar, two Césars, and an...
Can Corporate America Protect Democracy?
The Department of Justice’s recent decision to drop its investigation of current Federal Reserve Chair Jerome Powell and the Trump administration’s nomination of...
How Europe Found Its Nerve
When Donald Trump returned to the White House in January 2025, European countries at first chose appeasement as their preferred U.S. strategy. Faced...
Regular Show The Lost Tapes is a Mediocre Revival: TV Review
TV has always been partial to spinoffs and sequels and revivals, but lately, it feels like half the industry is devoted to mining...
