‘The Unknown’ with Léa Seydoux Already Sparking Cannes Debate
Arthur Harari knows his case is strange. At 45, the filmmaker behind “The Unknown” hits Cannes competition with an Oscar, two Césars, and an...
‘The Unknown’ with Léa Seydoux Already Sparking Cannes Debate
Arthur Harari knows his case is strange. At 45, the filmmaker behind “The Unknown” hits Cannes competition with an Oscar, two Césars, and an...
Can Corporate America Protect Democracy?
The Department of Justice’s recent decision to drop its investigation of current Federal Reserve Chair Jerome Powell and the Trump administration’s nomination of...
How Europe Found Its Nerve
When Donald Trump returned to the White House in January 2025, European countries at first chose appeasement as their preferred U.S. strategy. Faced...
Regular Show The Lost Tapes is a Mediocre Revival: TV Review
TV has always been partial to spinoffs and sequels and revivals, but lately, it feels like half the industry is devoted to mining...
Katie Aselton and Daveed Diggs in Sad Love Story
Editor’s note: This review was originally published during the 2025 SXSW Film & Festival. Greenwich Entertainment will release the film in theaters beginning Friday, May 15.Oh,...
IndieWire, Andreessen Horowitz Partner on Cannes Panel
The process of how art gets made seems to change every day, with new technologies disrupting old workflows and evolving methods of distribution...
Camila Morrone ‘Wept for Days’ After Finishing Her Favorite Scene in ‘Something Very Bad...
Taking on her first leading role in a TV series was "emotionally grueling and physically exhausting," the actress told IndieWire. After all, she's...
